The Art of Virtue by Benjamin Franklin
From The Afterword Reading Society
Nine months before it was published, Alex Garland read the manuscript of Kazuo Ishiguro’s new novel, Never Let Me Go. It took him less than a day to finish, and later that evening called up his friend with a request: he wanted to write the screenplay. “I basically made a pitch: I said, ‘I know how we can make this,’ †says Garland, sitting in a room at the Park Hyatt during the recent Toronto International Film Festival. “I said, ‘You’ll probably get some other offers, and they’ll make a different kind of film, [but] this is the kind of film that we’ll make. Trust us.’ And he did.â€
It took more than five years of effort, but Never Let Me Go opens in theatres Friday. Directed by Mark Romanek, Never Let Me Go is a thoughtful adaptation of a novel Time called the best book of the decade. Starring Carey Mulligan, Keira Knightley and future Spider-Man Andrew Garfield, the film concerns a group of students at Hailsham, a secluded boarding school in the English countryside. The students have a special purpose in life: They are clones, and their organs will be harvested by the time they are middle-aged. This is not a twist, but rather a device used to push the novel’s themes to the forefront. If you leave the theatre focusing on the (understated) sci-fi elements, says Ishiguro, you’ve missed the point.
A new novel by the late David Foster Wallace, set in an Internal Revenue Service office in Illinois, will be published April 15, Tax Day. Titled “The Pale King†, the book was was unfinished when the author committed suicide two years ago this month, at age 46.
Ah, the English boarding school of fiction! Happy schoolgirls scrambling over undulating green hills and hedgerows to classrooms in former manors or castles. Twins, unruly tomboys, sheltered small town bumpkins, spoilt brats, mysterious foreign exchange girls, sexually ambiguous jocks who go by “Billie”, “Bobby” or “Al”, scatterbrained math geniuses, jolly horse-crazed gals, overly invested language teachers no nonsense lacrosse coaches with super short hair… French lessons and proper sports like lacrosse and cricket, great gymnasiums with ropes and vaulting horses, gymslips and pinafores and tunics with black velvet ties…kitchen raids, secret languages, picnics and pillow fights. For those of us who went to regular school (Quaker school no less), English boarding schools seemed quintessentially romantic. Sent to countryside edens, away from parents and siblings and into the arms of motherly yet non meddling mistresses – freed from the shackles of real parents, but without the ennui of actual dead parents – and into a cloistered, feminine world with rituals, codes and bells and no-nonsense mistresses to impose order and safety. In boarding school, small incidents have more intensity, and overwrought friendship dramas grow from the passionate and rebellious teenage soul that longs to be accepted everywhere and deep, forever friendships form, verging on the romantic. Of course there is always the snoot, the troublemaker, the strict mistress, but it always sorts itself out, even if it means sometimes “getting your corners knocked off”. Because above all, you are a community. You are recognized for your individuality but you’re part of a herd. You belong.
WANNA BURN A BOOK?
“Book burning is antithetical to American ideals”. – Sarah Palin, via her Facebook page.
I read “Confessions of A Prairie Bitch“ in one sitting, because it is that kind of book. “Prairie Life”, which I read earlier this year, is that kind of book, too. If you were a girl growing up in the 1970’s like I was, if you were a card carrying nerd like I was, if you were very limited in what you were allowed to watch on tv like I was, and if you read everything not nailed down so that you knew every line of every book in the Little House book series like I did, then you probably watched the NBC TV series, Little House on the Prairie. And if you watched Little House on the Prairie then it is likely that you were anywhere from reasonably to perversely obsessed with the girls on the prairie. And the only two girls that mattered – in all of Walnut Grove – were Laura Ingalls and Nellie Olseon.
Alison Arngrim was the lucky duck cast to play Nellie, the parodic “spoilt rich girl” we all envied and feared. You know, the thoroughly fictional character type with petticoats and golden sausage ringlets, that has never actually existed in reality. For those of us familiar with the books, that first Garth Williams illustration of Nellie was etched in our brains forever: Fancy, fancy Nellie, petticoated and sausage curled, snatching her costly doll away from poor, bedraggled Laura’s filthy prairie finger.