The House Where Poe Didn’t Write The Raven

“For the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief”.

Wrote Edgar Alan Poe, in The Black Cat , which he penned while living in this odious row house. My family and I would often pass this fetid, faltering house in a run down North Philadelphia neighborhood, and my siblings and I would dare each other to look at it as it passed.

The House where Poe wrote The Raven was boldly emblazoned on the side of this uninviting house, as if that claim alone made up for the decaying state of affairs. I am pretty sure that faded claim did not entice visitors – my parents certainly never took us here, despite the flashy claim that this is where Poe wrote his most famous poem, and even though every Vallow family road trip was fraught with pop quizzes and visitings of sites boasting any sort of scanty tri-boro historic relevance (like the Walt Whitman Bridge or the Battle of “Trenton”). The truth is, Poe did not write The Raven in this house. However, The Tell Tale Heart, The Gold Bug, The Pit and Pendulam, The Fall of the House of Usher and The Black Cat were all penned here. The house in this photograph breaths and sighs and shrieks Poe’s grievous state of mind, his mental disorders, and his extreme poverty. It was in this horrible house that Virginia, his beloved child bride became ill (she burst a blood vessel while singing in the parlor!), an illness from which she would never recover and which eventually killed her.

The abandoned ruin of a house was mercifully resurrected by the Park’s Department in the 1980’s and it was opened as a respectable house museum. The offending signage with the false claim I remember from childhood was removed.

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The Cellar of The House Where Poe Didn’t Write The Raven


In The Black Cat, the psychotic narrator slaughters his wife with an axe after she stops him from killing the phantasm of a cat he feels is tormenting him. He conceals her body in a brick wall in the cellar. He brazenly invites the police down to the cellar for inspection, smugly confident in his own safety. A hideous wailing fills the cellar and the officer tears down the wall to find his wife’s rotting corpse with the shrieking cat perched on her head. ” I had walled the monster up within the tomb!”

The Black Cat describes the home’s actual basement in eerie detail. It’s barren and clammy, floorboards agroaning, peeling paint, cold brick maws, echoey and dolorous. At the bottom of the the stairs is a half bricked, false chimney where the wife’s bludgeoned body would have been hidden. “By means of a crow-bar I easily dislodged the bricks, and, having carefully deposited the body against the inner wall, I propped it in that position, while, with little trouble, I re-laid the whole structure as it originally stood. Having procured mortar, sand, and hair, with every possible precaution, I prepared a plaster could not every poss be distinguished from the old, and with this I very carefully went over the new brick-work”.

I’m happy to report that even though the completely appropriate horror and grotesquery that the pre-restoration incarnation elicited is no more, the house where Poe didn’t write The Raven is still pretty ghastly. As well it ought to be.

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The Bar Where Booze Wrote The Gift of The Magi

Established in 1864, Pete’s Tavern claims to be the oldest, continuously operating bar in NYC (during prohibition, Pete’s was disguised as a flower shop!). Pete’s also boasts being the pub where O. Henry (the pen name of William Sydney Porter), wrote Gift of the Magi

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The House of Lanny Budd

I happened upon this Spanish Colonial Revival home in the Los Angeles suburb of Monrovia, a few miles from my neighborhood in Eagle Rock. It was the home to Upton Sinclair between the years of 1942 and 1966, and is where he wrote most of his later works, most notably my favorite – the phenomenally popular, largely forgotten Pulitzer Prize winning Lanny Budd Series.   Continue reading

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The Faux House of a Fake Detective

The quintessential “faux literary home” is that of fictional super sleuth, Sherlock Holmes: The Sherlock Holmes Museum of Baker Street. Here at 221b Baker Street, Sherlock Holmes and Dr. Watson – but not Sir Arthur Conan Doyle – “lived” from 1881-1904. The address is a shrine for devotees but didn’t actually exist until an enterprising businessman with a million dollar idea bought the broken down Georgian boardinghouse at 239 Baker Street, altered the address, and converted it into this museum/gift shop/house pastiche in 1989. Not a home and not a museum…but something, an endless expanse of kitsch, props and hyperreal meaninglessness utterly devoid of actual significance or historical fact. Embrace the absurdity and buy a lot of souvenirs and it’s worth the trip. Continue reading

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I happened upon this Spanish Colonial Revival home in the Los Angeles suburb of Monrovia, a few miles from my neighborhood in Eagle Rock. It was the home to Upton Sinclair between the years of 1942 and 1966, and is where he wrote most of his later works, most notably the phenomenally popular and and largely forgotten Pulitzer Prize winning Lanny Budd Series. I got to thinking about this book series, which I had enjoyed in high school.

Sinclair moved to Monrovia from Pasadena where, after developing the socialist reform “EPIC” movement and narrowly losing the 1934 governor’s race, he cocooned himself in this house and wrote the Lanny Budd series, a massive volume of work: eleven volumes of 600+ pages each. Each page is packed with meticulously detailed historical facts, all researched by Sinclair at the local library.

The Upton Sinclair house was built in 1923 by architect F. H. Wallis, who along with his partner S. T. Norton are credited with designing many Los Angeles landmarks including The Financial Center Building, the Temple Sinai and The Los Angeles Theatre.

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